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Publications

PEER REVIEWED PUBLICATIONS

MONOGRAPHS

 

ARTICLES

 

EDITED BOOKS

 

BOOK CHAPTERS

EDITED VOLUMES

  • Kallenbach, Ulla, Keld Hyldig, Ragnhild Gjefsen, Ellen Gjervan & Siren Leirvåg, 2022, Teatervitenskapelige Studier, Interactivity and audience participation in performing art for children and youth, vol. 6.
  • Kallenbach, Ulla, Ragnhild Gjefsen, Ellen Gjervan & Siren Leirvåg, 2021, Teatervitenskapelige Studier, vol. 5.
  • Kallenbach, Ulla, Ragnhild Gjefsen, Ellen Gjervan & Siren Leirvåg, 2020, Teatervitenskapelige Studier, vol. 4.
  • Kallenbach, Ulla, Sofie Kluge & David Hasberg Zirak-Schmidt eds., 2018, Staging History. Theme issue on historical drama in Renæssanceforum, vol. 13.
  • Kallenbach, Ulla & Anneli Saro eds., 2015,Nordic Theatre Studies, vol. 27, no. 2: Mapping Theatre.
  • Kallenbach, Ulla & Anneli Saro eds., 2014,Nordic Theatre Studies, vol. 26, no. 2: Theatre and Technology
  • Kallenbach, Ulla & Anneli Saro eds., 2014,Nordic Theatre Studies, vol. 26, no. 1: Poetics of Playing

NON PEER-REVIEWED PUBLICATIONS

ARTICLES

  • Kallenbach, Ulla; Sofie Kluge & David Hasberg Zirak-Schmidt, 2018, ‘Preface’, Ulla Kallenbach & Sofie Kluge eds., Staging History. Historical drama theme issue of Renæssanceforum, vol. 13iii-vii.
  • Kallenbach, Ulla, 2017, “I am in blood step’d in so far…” Macbeth, Teatersalen Odeon, Odense Teater, Peripeti
  • Kallenbach, Ulla, 2017, ’Forestillinger om fantasi’Carlsbergfondets årsskrift 2017, 76-79
  • Kallenbach, Ulla, 2017, ’Min arm – min forestilling: Gæstespil af Team Teatret på Edison’, Peripetihttp://www.peripeti.dk/2017/05/02/min-arm-af-team-teatret/
  • Kallenbach, Ulla, 2017: ‘Tilfældighedernes spil’Teater 1, no. 177, 34-37
  • Kallenbach, Ulla, 2017: ‘Hvem er Hamlet’,Teater 1, no. 177, 20-22
  • Kallenbach, Ulla, 2016: ‘Kongen og Narren i King Lear’, Teater 1, no. 173, 18.
  • Kallenbach, Ulla, 2016: ‘Dømt til undergang: om den tragiske karakter’, Teater 1, no. 173, 15-17.
  • Kallenbach, Ulla & Anneli Saro, 2015: ‘Introduction: Mapping Theatre’, Nordic Theatre Studies, vol. 27, no. 2: Mapping Theatre.
  • Kallenbach, Ulla, 2015, ‘Historien om historien på teatret’, Teater 1, no. 170. 30-32.
  • Kallenbach, Ulla & Anneli Saro, 2014: ‘Introduction: Theatre and Techonology’, Nordic Theatre Studies, vol. 26, no. 2: Theatre and Technology, 5-7.
  • Kallenbach, Ulla, 2014, ‘Meningsløs vold?’,Teater 1, no. 167, 54-56.
  • Kallenbach, Ulla, 2014, ‘Fantasi i frit spil’. Teater 1, no. 166, 30-33.
  • Kallenbach, Ulla, 2010, ‘Værk/fantasi/virkelighed: Salò og det interaktive teater’, Kulturo, vol. 16, nr. 31, 79-86.
  • Kallenbach, Ulla, 2008, ’Hvem er Lorca?’, ’Historien bag Blodbryllup’, ’Det sanselige og det surreelle’, ’La Baracca’, Study guide for the Gladsaxe NY Teater production of Blood Wedding.
  • Kallenbach, Ulla, 2008, ’Hvem er Lorca?’, Blodbryllup, Gladsaxe NY Teater theatre programme, 9.

BOOK CHAPTERS

  • Kallenbach, Ulla & Anna Lawaetz, 2016, ‘Introduction’, stage/page/play, Ulla Kallenbach & Anna Lawaetz (eds.), Multivers, 111-123.
  • Kallenbach, Ulla. 2016, ‘Fantasiens teaterhistorie’ Erik Hvidt & Per Lykke (eds.) Hvad med teaterhistorien?, Dansk Teaterhistorisk Selskab, Multivers.
  • Kallenbach, Ulla, 2014, ‘Imagining Absence: Performance in the Text’, Staged Experiences, Arthur Maria Stein, Ana Penjak & Celia Morgan (eds.), Interdisciplinary Press, 203-211.
  • Kallenbach, Ulla, 2009, ‘At se og opleve dansen’, Mosaik, Anna Barner Sarp (ed.), Primabella, 176-180.

EDITED BOOKS

  • Holm, Bent, 2016, Djævelens billede, Ulla Kallenbach (ed.), Multivers.