Anna Lawaetz and I have written a new article for the most recent volume of Nordica on the plays of Svend Borberg and their original reception. Our article covers the early Nobody (Ingen, 1920), a rare Danish expressionist play; the Pirandellian Circus Juris (1935); the fictional meeting of Don Juan and Don Quixote in Sinner and Saint (Synder og Helgen, 1939), to his last play The Boat (Baaden, 1943), a controversial play set on the Faroe Islands, written and performed during the German occupation of Denmark.